- Draw a diagram of your preferred workflow and explain why you take certain steps.
- Create a checklist for your workflow.
- Take a screenshot of your folder structure.
- Explain why creating backups are so important.
First thing to know is what kind of shoot you are preparing for, in this case it would be a “Fashion, lifestyle, beauty and portrait” shoot.
Next up is deciding upon or figuring out the concept, be it already pondered and in place or what you want to create for the shoot.A concept may be specified by a client as well, but it still needs to be looked over and understood so going over it an extra time should always be a habit.By doing this you may want to create or have a moodboard in place to communicate your thoughts in an illustrative way to the people you are working with.
Knowing this, the selection of tools for the job would be gathered and checked.
The second thing to be considered is the location and what time of day or even night is the most suitable for the shoot you are planning.
The next step would be to arrange for a model and a stylist if this is needed. The moodboard will come in handy here to give the stylist some idea of what you want for the shoot on their part. after the thoughts and ideas for the shoot has been communicated it is usually good etikette to leave the stylist to do her “magic”. Same as a photographer have learned a set of skills and the creativity to do the work well, so does a stylist know what to do and be creative with the job they are assigned.
The duties of the photographer are more than just taking the pictures.
As a professional photographer you have to make all the preparations including everything mentioned so far. This includes all the necessary bookings of equipment, a studio for the shoot if needed, as well as getting all the necessary permissions if you are shooting in a private area or location. Sometimes this includes even some public places.
Booking a crew and ensuring everyone have what they need to execute the shoot is the short version of it.this includes the model, stylist and maybe even catering if it is a big shoot.Food and water are essential and maybe even some music is a good addition to any shoot.
A time schedule is also nice to work with for everyone. This means creating one and handing it out to the crew, preferably a few days in advance so you can work out any kinks with your crew if any.
Equipment for the shoot.The camera, ideally a DSLR to ensure that you as a photographer are in control of the image and the shooting done (Cell phone cameras have software and post processing done the images after they are taken). The images will go through post processing after the shoot, but you want to be in control of this.
In the Alice in Wonderland shoot portrayed in this module the photographer made good use of the natural light, this is always ideal but sometimes it is good to have access to a light box to illuminate the model and the scene you are shooting.
A tripod is always good to have access to, whether or not you use it in the en does not matter as long as you did not end up needing it and it was not available.
I would also bring along a few lenses for the DSLR, mainly a 50 mm lens as well as a wide angle lens.
A camera bag including extra batteries and memory cards as well as chargers for everything that runs on batteries.
- Plan a Snow White themed fashion shoot.
First thing i would do is scout out some locations with the vibe i am looking for, this enhances the imagery of the shoot in its own way.
Create a moodboard and the concept for the shoot.
I would then hire a model or talk to someone that would be interested in modeling for the shoot.This along with someone to perform the duties of a stylist and make up artist.
Story boarding is a nice tool to take advantage of in this stage. however i would not let myself be restricted by it, some freedom is paramount in taking good images.
Next i would communicate a time schedule and go over all the equipment need for the shoot to ensure i have what is needed for taking some good images.
Time schedule example :
10:00 – 10:30 – Meet and greet on location.
10:30 – 12:00 – Photo crew prepares the gear for the shoot and set up everything.The model is prepared and clothed by stylists and make up artist.
12:00 – short 15-30 min break.
12:30 – 14:00 First round of shooting.
14:00 – 30 Min break.
14:30 – 15:00 Model is restyled by artist and stylist.
15:00 – 16:00 Second round of shooting.
Thank you for reading – J
Name the three most important components of visual identity.
Look and feel, Logotype and signature, Colour
Describe the difference between logotype and signature.
Signature is the spesific and nonnegotiable designed combination of a brandmark along with the logotype. The best signatures have speccific isolation zones to protect their presence.
Logotype is the wording in a determined font, be it a spcific one or a custom made one.
I would define this as the wording of a logo and/or design.
Using Kuler create a colour scheme (using only three colours in each set) for the following products:
A rich chocolate cake that is made from real chocolate. The keyword here is “quality”.
A courier company that delivers internationally by air, land and sea – their main focus is fast delivery.
An international insurance company that focuses on family values.
Write your name in four different typefaces, according to the following criteria. Use a typeface that:
expresses a unique quality about you
is inspired by your favourite food
makes your name look sophisticated
is drawn by hand
Consider the tips on Inspiration given in your prescribed book and create a name for an ice cream. The ice cream has a range of different flavours, but the unique aspect it should communicate is the fact that it is the coldest ice cream in existence. Now come up with five name options for this product (you should not spend more than a few minutes on each name) using inspiration from:
Latin : Glacé
Colours : Blue Glacier
Metaphors : The chill of winter winds
Science : Nitrogenice
Myths : Nifl-ice
Do you think the movie provides insight or detail into what drives product placement in entertainment?
Absolutely, I have seen the movie twice now and after both instances i have started noticing alot more of the product placements in movies and series i watch.
In two of the series i watch every now and then, to mention a few cases, House M.D is sponsored by apple computers and NCIS is sponsored by Nikon.They use Nikon cameras when photographing crime scenes for instance.
What have you observed about presentations of visual strategies/brand identity?.
The most effective product placement seems to be on an almost subliminal level, its kind of snuck into the show or movie without necessarily drawing too much attention to it.Yet it is very noticeable.
The other kind of product placement which is blatant and more or less turns the scene of the show or movie into a straight up commercial seems to be disliked and less effective, however this is how i feel about it. It didn’t work as well on me as a person.I almost felt insulted that they even bother. In all the cases of blatant product advertisements done in this way that i have experienced my self i believe i have in fact quit watching the show.
So this way of using product placement can be detrimental to tv shows or especially series.
Let’s consider this movie as a form of research. In other words, it was done to see what the effect of branded entertainment would be, a case study of sorts. What are your findings? What have you learnt? What has changed your pre-conceived ideas? Do you think there’s relevance in this case study? How could you apply your observations in real life?
Product placement is nothing new and we get used to it, almost blind to it in some cases, what i found most relevant and interesting in watching this documentary was that it brought the focus on product placement in it self. Especially interesting to me was how long or rather short time it took to find the tipping point to when the sponsors more or less took control of the whole production and wanted to change the artists view or alter the way their respective products were portrayed. Or in some cases didn’t want to be a part of the documentary at all (Even though they were already mentioned).
From the findings above (question 3) imagine that the international coffee brand, Starbucks, is your client. Give one complete strategy for a small activation campaign to advertise Starbucks on aeroplanes. Give one idea of how you would do this, by following the 5 steps of the work process. To guide you, follow the points below and do a write-up of your idea as well as the steps you followed:
Conduct research :
Starbucks allows purchasing coffe through their app. This means they can sell coffe to people on the airport or maybe even on the plane itself if the app accommodates this.
The main demographic for this would be the “red eye” flight as its called.If you catch the red eye and want some coffe its all set up and ready for you to buy in an instant as long as starbucks are allowed an outlet from where patrons can pick up their coffe.
Clarify the strategy :
A link to the application can be printed on the boarding pass with a short description and a QR code linking to the app itself as well as further information, this along with a special red eye discount.If the app is already installed it will link right to the offer inside the app.
After some more research i found that starbucks offers a coffe called the red eye with an espresso shot. This may be used in this campaign as it is already a thing.
Design the identity :
For the identity i sketched up an eye in red with the star bucks logo inside to illustrate the point of it being campaigned along with the red eye flights.
Create touchpoints :
The main touch point for this has been through the application so far so i think it is a good idea to keep having the communication through the app. After having picked up the in app bought coffe, some way of introducing a short survey of the experience would seem natural. Maybe as an extra nudge a link or some kind of reminder on the coffe cup could be printed bringing the customer to a survey or remind them that it exists.
Manage the assets :
As this is not a prolonged campaign, briefly describe how you would use the possible outcome of your campaign for future use.
Well, the information gathered through the survey is useful and can for instance determine whether patrons on the red eye flight want to drink coffe or to sleep on the flight. It would also show the hours where coffe purchases are at its highest in an airport with patrons from all over the place and from different time zones.
Thank you for reading
Consider the different steps in the work process and answer the following questions in writing:
Write down different means of conducting research. (What do you think can be done to collect information and get consumers’ perspective on a proposed idea?)
First thing first is researching online and figuring out the key of the land. This would be the first and easiest step for most. Another option are surveys, if you have a mailing list or a group of friends you can start there and work your way to the average joe depending on what you are researching.
Clarify the strategy
What do you think should be included in a creative brief? (As a designer, what would you consider vital information in such a brief?)
The main strategy should be clearly defined after it is conceived and planned.All the steps needed to make it an efficient strategy should be described in this step. Expected results or anticipations should also be speculated on and defined here.
Design the identity
How would you approach the findings from the research and the clarified strategy? (What would your first steps be once you’ve received feedback and a brief?)
Initial designs and idea development is defined and refined in this step. Depending on what the design is intended for. The sketching and design phase should reflect the findings from the surveys and information gathered in the previous step.
What do you think is meant by touchpoints? (What, do you think, should be included in the term “touchpoints”?.
Touchpoints are a useful tool to keep customers in touch with the brand, ensuring the brand comes to mind for its services when they are reflected on or needed.Maybe even in some cases gets a recommended. Touch points can be a small reminder by a newsletter or survey. As well as an offer or a coupon. Touchpoints can be disguised as alot of things but the main intention is to make the brand come to mind every now and then.
Manage the assets
How would you nurture and grow the brand that you’ve created?.
If the design and message of the brand is good, the best way to nurture it would be through the use of touchpoints, keep building a good reputation with the customer base and good use of news letters and maybe even some creative PR stunts, promoting the brand.
Nurturing the brand means making good use of the information you have gathered and found through research. Finding ways to reinforce your brand with the customers over several different promotions.
Thank you for reading
1. Wait until it’s almost dark outside. Take your camera and go and sit in a busy tourist area. Choose a building or statue to photograph. Place your camera on a tripod and set the shutter speed to 30 seconds or more. (If you don’t have a tripod, something stable, like a chair, will also work.)
Take a look at your photograph. Do you see a lot of people in it or just the building/statue?
There should be someone walking on the pavement on the right side in this image, however due to the long shutter speed they do not appear in the photo.
2. Wait until it’s dark. Go and stand on a bridge over a busy street (or look from the window of a high-rise building). Place your camera on a tripod and set your shutter speed to 30 seconds or more. Inspect your photograph. What do you see?
3. Ask a friend to help you with this activity. Choose a dark room in your house and switch off the lights. Place your camera on a tripod and set your shutter speed to 30 seconds or more. Ask your friend to “draw” a picture in the air using a flashlight. Take a look at your photograph. What do you see? This fun activity is called light painting. Try an easy pattern first, but also a more complicated one.
Describe the steps that you will take to ensure that you take a high quality photograph in low light conditions. Refer to exposure, lenses, tripods, colour temperature, flash and ISO.
First things first is getting your gear together, preferably have it ready already. Personally i have a small backpack that has space for two lenses (one of them are usually mounted on the camera), my camera house and some extra pockets for an extra battery and a remote for your DSLR.I also have a small tripod with “Gorilla” legs. This means i can mount it with my camera almost anywhere like lampposts, a fence or even a tree.I also have a regular tripod that i bring along for landscape or night photography.
When i go out shooting i have my gear ready, i just grap my backpack and some warm clothing. Good preparation helps alot with getting out the door as well as with the photo shoot.
Usually i have a location in mind when i go out shooting. Often times the main thing on my mind when i set up is light pollution. For instance i usually shoot the sky with northern lights or find a composition with stars i like, a composition with either some mountains or a lake that ads to the composition. Light pollution is therefore important to keep in mind if you want a long exposure. If there’s a city in the distance, the city lights will flood the sky. This can of course also be a good thing and make for an interesting image. But its good to be aware of this for long exposures.
I usually like to have a low ISO setting, somewhere between 100 and 400, then i set the shutter speed between 20 – 30 seconds.I don’t mind using a long shutter speed and a low ISO to get a image with as little artifacts as possible. I also use a dark or rather high to midrange aperture.
After taking a test image i then adjust my settings depending on how my first image looked.I almost always used the manual setting on my camera so i am familiar with tweaking my settings manually, even in the dark.
The camera is of course mounted on a tripod for landscape shooting and long exposures. I also use either a remote to minimize camera shake or a timer if I don’t have the remote with me. I have not tried locking the mirror in my camera yet but i will make it a point to experiment with this in the future, until now locking the mirror in my DSLR has seemed a little scary when i was starting out with photography.
If am shooting people or indoors however i go the opposite way, i set the ISO somewhere between 400 – 800 and try to keep the shutter speed below a second, prefferably as fast as possible the keep the images from blurring, therefore the higher ISO. The aperture is as open as possible with the lens i am using so i get the fastest shutter speed possible without loosing too much light.With my camera I don’t tend to get any artifacts from a higher ISO but i still don’t go to 1600 ISO unless absolutely necessary to capture the image.
When shooting in low light conditions be careful as many tripods and cameras have fallen over and broken due to accidents in low light conditions. Accidents do however happen. In my case as a Nikon user, they provide warranties and service practices for the equipment of customers. Canon and other companies also offer similar services but as i am a Nikon user i will focus on them.
You can learn more about the warranties and how to troubleshoot your equipment on the repair center webpage. Here you can learn about how to contact Nikon, send in your equipment and figure what is needed in your particular case. Another service offered on the repair center is the ability to track your equipment as it is repaired by a Nikon certified service store.
At the very least, it is good to read alittle about your rights as a consumer when procuring a Nikon product.
Take some low-light photographs.
One should be a sharp photograph that focuses on a static object, like a building or statue.
The second photograph should showcase moving objects, like cars or running water.
For the third photograph, take a moody portrait of a friend and use high ISO settings to your advantage.
Thank you for reading.
1 – Draw up a list of the most important factors of a product photograph. Refer to shadows, lighting, quality, ISO and editing in your answer. Mention at least five things.
Shadows : Harsh shadows are to be avoided for the most part in a product photograph.By diffusing the lighting in your setup and moving the lights around trying to figure out what gives the least amount of shadows if any, as well as by diffusing the light you get softer shadows, meaning they are more gradient than a direct and very visible shadow.
Lighting : Depending on what you are photographing, lighting always plays a big role in a good product photo. You can shape the lighting by bouncing it of a white background as well as moving the lights around to complement the product being photographed. Bright lights can also create harsh shadows as forementioned, however by using sheets of thin white paper or plastic in front of the lights you can diffuse it and make it less direct.This method may have a more flattering effect on the surface of what you are photographing.
Quality : Quality is important when shooting images for a catalog. You create good quality in the photos by making sure you have good lighting and a decent setup and backdrop. Another way to vastly improve imagery is to make sure you are taking photos in RAW format. This gives you more options to tweak and improve the images in post production.
ISO : The ISO configuration of your camera when taking product photos should always be at ISO 100. This is to minimize graining and spots your images. You can easily do this by creating a good lighting setup instead of tweaking your ISO. In other styles of photo shooting the ISO can be tweaked a little with no big issue, however in product photography the rule is to stick to ISO 100.
Editing : In post production you get a closer look on the images from the product photo shoot, even if the image has good lighting and a backdrop, alot of the time you don’t see any issue with the imagery before you see it properly on a screen or in editing.Small composition and exposure tweaks may enhance the image and is an easy and good way to ensure the photos are of the correct quality. It is also a good idea to start cataloging product imagery depending on clients etc from the get go.
2 – Make your own DIY light tent.
I started bye creating an 90 degree angled white wall. On this i could add a thick white paper as a backdrop to create a infinity curve for my product imagery. I also have two decent office lamps with 1000 lumen light bulbs mounted in them. The lamps are arm mounted so this made the lighting easy to move around depending on what i was photographing. I also experimented with white sheets of paper to soften the lights as well as some semi see through plastic bags for diffusion.
I also added some sheets of white here and there when needed to bounce more light around.
The product photos i tand ok with this setup came out pretty nice, especially if compared with taking images with no backdrop or product photography setup.
We were asked to photograph Something silver, something fluffy, something hard and a liquid.
Have a look at all the tasks and lessons you have done over the last few weeks. Your task now is to make a cover/a front page for your very own magazine.
- Go through the Graphic design history time line and choose a style and designer that you feel relates best to your personality, even has similar traits to you.
- Using that designer/style as inspiration, use your name or part of your name ( be creative) and create a title/name for your magazine
- Add your own pictures, text, illustrations, elements as well as the proper typography and titles for your cover.
- The expression must represent your personality. (Remember the color choice regarding this).
- Remember to include what kind of magazine it is, i.e.cars/bikes, fashion, design, weddings, etc.These are my cover designs for this week.My first design “Nordic Waters”, I tried working with the photo and its colors to get good readability. I drew visual inspiration from some hunting and fishing magazines. The image is my own photo taken earlier this year.
However i ended up starting over again and designed “Vector Magazine”.
The titles are a little more simplistic and contain less text. I think this resulted in a clearer message. I also felt this was more “me” style wise.
The illustration in vector Magazine was illustrated specifically for the cover using Adobe illustrator.
I decided naming the “Magazine” Vector as i was using vector art on the cover.My name is also Torhaug so vecTor is a nice coincidence.
The Style era would be 1990 – 2005.
The artist that inspired me for the illustration was Michael Turner.
He was a comic book artist when i was young.He sadly passed away due to bone cancer. But his art style definitely has had a strong influence on me as a young artist, so much so it is almost on a subliminal level in allot of my work now.
Thank you for reading.